A text from Wired magazine
Several portaits of virus writers(from the basement hacker type to the scientific researcher on AI or suit and tie entrepreneur)
by Julian Dibbell
“One computer virus writer in his early 20s lives on unemployment checks in a white, working-class exurb of New York City. He tends to spend a fair amount of his leisure time at the local videogame arcade playing Mortal Kombat II, and would prefer that you didn’t know his real name. But don’t let the slacker r/sum/ fool you: the only credential this expert needs is the pseudonym he goes by in the computer underground: Hellraiser.
Hellraiser is the founding member of the world-renowned virus-writers’ group Phalcon/Skism. He is also creator of 40Hex, an electronic zine whose lucid programming tips, hair-raising samples of ready-to-run viral code, and trash-talking scene reports have done more to inspire the creation of viruses in this country than just about anything since Robert Morris Jr.’s spectacularly malfunctional worm nearly brought down the Internet.
And as if all this weren’t enough, Hellraiser also comes equipped with the one accessory no self-respecting expert in this cantankerous field can do without – his very own pet definition of computer viruses. Unlike most such definitions, Hellraiser’s is neither very technical nor very polemical, and he doesn’t go out of his way to make it known. “Sure,” he’ll say, with a casual shrug, as if tossing you the most obvious fact in the world: “Viruses are the electronic form of graffiti.”
Which would probably seem obvious to you too, if you had Hellraiser’s personal history. For once upon his teenage prime, Hellraiser was also a hands-on expert in the more traditional forms of graffiti perfected by New York City youth in the 1980s. Going by the handle of Skism, he roamed the city streets and train yards with a can of spray paint at the ready and a Bronx-bred crew of fellow “writers” at his side, searching out the sweet spots in the transit system that would give his tag maximum exposure – the subway cars that carried his identity over the rails, the truck trailers that hauled it up and down the avenues, and the overpasses that announced it to the flow of travelers circulating underneath.
In other words, by the time Hellraiser went off to college and developed a serious interest in computers, he was already quite cozy with the notion of infiltrating other people’s technology to spread a little of himself as far and wide as possible. So when he discovered one day that his PC had come down with a nasty little digital infection, his first thought was not, as is often customary, to curse the “deviant hackers,” “sociopaths,” and “assholes” who had written the program, but to marvel at the possibilities this new infiltration technique had opened up. Street graffiti’s ability to scatter tokens of one’s identity across the landscape of an entire metropolis looked provincial in comparison. “With viruses,” Hellraiser remembers thinking, “you could get your name around the world.”
read on:
viruses are good for you …
